Filed under: art, Chicano, Video, Los Angeles | Tags: Eddie Martinez, Alla, Gary Garay, Oscar Zeta Acosta, Josh Kun
About a month ago, a discussion on the Art and Music of Post-Mexico by Josh Kun at Boston’s ICA got our juices flowing. More than that, it gave us some considerable material to reflect upon, which we hope to share sooner or later on our pages here at tirado/thrown. We hope to do so once we have a some more developed reflections ready to go.
Among the trove of exquisite finds Kun shared with those in attendance was the work of Gary Garay, whose evocative work retrieves and re-imagines some of the basic elements of Mexican-American life: paletas, Nike Cortez shoes, “Grandes Exitos” collections, sheepskin seat covers, brick cell phones, cinder blocks, pagers and so on. He’s got a wealth of images to offer from the sources he draws upon. A favorite of ours is The Last Buffalo (above), an ink drawing that almost immediately calls to mind the original Brown Buffalo, Oscar Zeta Acosta, and a painting by Eddie Martinez, Val Kilmer’s James Brown. One part celebration and another part lament, it appears to melancholically announce the loss and disappearance of the Chicano as a robust cultural figure in American life.
As a part of LACMA’s Phantom Sightings show–which we hope to check out when it arrives at New York’s Museo del Barrio in March 2010– the county museum has an interview with Garay that goes into how he treats his source material. More to come in time.
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