tirado/thrown


From the Dead Letter Office: Agamben in Inverno

 

 

[Ed note:  This post was initially meant to publish sometime in the dead of winter, around January of 2009.  For a variety of reasons (procrastination, laziness, business, preoccupation with other matters, reservations, etc.) the post has sat around in a mostly-completed state in the ‘Drafts’ folder for a long time.  Maybe the post has its own schedule, or its publication is not really meant to come out in quite this fashion.  (In retrospect, there were probably three or four separate blog posts just waiting to be made out of the compendium below.)  At any rate, they are words coming from an exigence that was ultimately frustrated and arrested, leaving you with a post whose timeliness is at best ambiguous.]

 

The last couple of months of 2008 have been busy on news regarding Giorgio Agamben and work being done on his thought.  Usually some piece of information ocasionally drifts in, or a new, nearly inaudible video on YouTube of Agamben’s lectures catches my attention.  But I don’t remember there being such a relative volume of Agamben-related news since he protested the U.S.’s policy of ‘biopolitical tattooing’ under provisions of the US-Visit act  and consequently turned down an appointment at NYU.  Maybe it’s just that my antennae are more finely tuned to pick these kind of things up now than they were before. Be that as it may, though, the news is welcome. Some bits follow:

sacramento-del-linguaggio

  • In May 2009, Stanford University Press will be publishing a very short collection of Agamben’s essays under the title, What is an Apparatus?  and Other Essays.  consisting of the title essay, and works on friendship and contemporaenity rounding out the tiny, 80 page book.  Frankly, I’m a little disappointed, as seeing a relatively larger text like Il Regno e la Gloria come out in translation before such a short collection of texts would be more desirable.  But it’s a trivial complaint.  Jason Adams’ translation of the title essay (which will not appear in the collection, David Kishik’s translation will), originally entitled Qui est une dispositif?  What is a Dispositor?  is a good place to start for a glimpse of what the book will offer. [Stanford University Press/Notes for the Coming Community]

apparatu

  • Lacan.com and Notes for the Coming Community have published translations of a recent editorial that Agamben wrote for France’s Liberation, calling for the release of Julien Coupat* and the Tarnac 9.  In the process he challenges a significant feature political life in our time: the concentration of state power that has made dissent a suspect activity by appealing to security (whether real or perceived) as a basis for governance.  A outstanding blog with updates and documents on the Tarnac 9 situation is can be found here. [Lacan.com/Notes for the Coming Community/Support the Tarnac 9] 
  • Leyland de la Durantaye’s recent work on Agamben, “Homo Profanus: Giorgo Agamben’s Profane Philosophy” appears in the most recent edition of the journal boundary.  At a cursory glance, it appears to be an in-depth treatment bringing ideas developed in Profanations to bear as part of Agamben’s philosophical and political projects.  Namely he places Profanations in proxmity to works outside of the Homo Sacer series- The Coming Community, Means Without End, The Idea of Prose, and The Time That Remains.  The article holds out the possibility of reading Agamben’s work systemtically to present some possible prospects and directions for Agamben’s thought, especially in relation to ideas discussed in Walter Benjamin’s work.  Interestingly, he alludes to the Flamen Diale as an example of a profane figure.  Could this counterpart to the sacred [hu]man be a hint pointing towards the next phase of Agamben’s thinking?  Next May, Stanford University Press will be publishing de la Durantaye’s text Giorgio Agamben: A Critical Introduction. [Duke Journals/Stanford University Press]
  • Infinite Thought, a tirado/thrown favorite, posted this little item with a link on “How to Write Like Agamben”** from a blog that is the latest addition to the blogroll, No Useless Leniency.   Worth checking out is a commentary on Agamben’s essay “In Praise of Profanation”, in the style of another of Agamben’s essays, Notes on Gesture.  It’s called Notes on the Image.  [Infinite Thought/No Useless Leniency] 

*As it happens, Coupat is the editor of the French-based journal TiqqunFor a sample of work featured in the journal, Soft Targets published some excerpts from a piece entitled Introduction to Civil War.  Very Roughly speaking, these fragments throw situationism, Agambenian philosophy, and samplings of Hardt-Negri’s autonomism into the mix, offer offer a response to neo-liberal imperialism and preventive counter-revolutionary politics.  The Support the Tarnac 9 site also has additional texts from Tiqqun and the Inoperative Collective available. [Soft Targets Journal/Support the Tarnac 9]

**As a rejoinder to IT, another possible way to score a Warburg Institute fellowship is to write like Richard Rodriguez, whatever the Chicanada may think of him. This here one finds Rodriguez to be essential reading on the dynamics of mestizaje and subject formation.

Image Credit: Reiner Gahnal, Seminar/Lecture, Giorgio Agamben, Filosofia teoretica,istituto universitario di architettura di Venezia, 6/5/2007, 20 x 24 inches. 51 x 61 cm

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