tirado/thrown


28 Days of Sonido Americano
February 22, 2010, 3:53 pm
Filed under: Chicano, Latin America, Latinos, Music | Tags: , ,

Over at Super Sonido, nuestro carnal aural Joseph Franko is indulging his visitors with digitized cuts from his massive collection of forgotten, though tenderly curated, Latin American and Latino music.  Franko’s latest blog project, 28 days of 45s, has him and guests such as DJ Lengua posting–among other things–yeh-yehs, Chicano beats, cumbias, metal riffs, rebajadas, psych freak-outs, and Tejano Soul throughout February.  What proceeds is an intensive course on the sounds of Our America(s).

Image: Pedro Lasch, Latino/a America, 2003/ongoing [Pedro Lasch, con gracias al Profesor Mignolo]



Late Winter Video: Waiting for the Gift of Sound and Vision

Here at tirado/thrown, we heartily anticipate the end of the winter.  With the clear light and the cold air, we’re slowly attempting to shed the frozen snow that stubbornly sticks to the ground here in Boston (but not before the upcoming Agamben post, though).

The Sea and Cake’s cover of David Bowie’s “Sound and Vision” is the perfect song for this time of year.  They take on Bowie with a blast of cold Chicago air and fashion a tempered interpretation that does not threaten the original version’s excitement and buoyancy.

In an issue of loud paper a number of years ago, The Sea and Cake’s lead singer Sam Prekop professed his love for the work of Mies Van Der Rohe.  Lines, glass, light, and steel, Van Der Rohe’s architecture trades in the very basic terms of experience and dwelling. 

It’s not entirely surprising then, that the video above marshals high-modern experimental animation to offer a visual expereince well-coordinated with a song that is about experience, broadly conceived: wonder, awakening, anticipation, becoming alive, the senses sparkening and opening to the world.  The above video is vitalism wrapped in the guise of a collected, though vibrant, formalism.  Here’s to ushering the end of Winter.

UPDATE: A far better version of the video is up on Pitchfork.tv, which I recommend over the video I posted above.